Saturday, March 27, 2010

Visiting Malacca

Malacca, Penang and Singapore- the three trading hubs known as the Straits Settlements, and governed collectively as a Crown Colony by the British.  But Malacca's history of colonisation goes back much further.  It was captured by the Portuguese under Afonso de Albuquerque in August 1511.  In 1641 the Dutch defeated the Portuguese to capture Malacca.  Subsequently, the Dutch traded Malacca with the British settlement of Bencoolen in Sumatra. Because of these successive waves of colonisation, Malacca, more so than Singapore or Penang, displays a deeper cultural diversity than either city.

My own family history says that my maternal great-grandmother, was from Malacca before she came down to Singapore and married my great-grandfather.  But my visit to Malacca was prompted more by the wish to have a little break from work and at the same time to do some shopping (hopefully a kebaya or a pair of beaded shoes).  I came back with a pair of antique earrings instead, and a comfortable feeling that my kasut manek creation will indeed stand out in comparison with anything in Malacca. 

Visitors to Malacca can't really miss the "Red Square" - the Dutch Studhuys, Christ Church and other municipal buildings. 

But one highlight of my visit has to be the climb up to St Paul's church.  The church was built by the Portuguese in 1521, surely making it one of the oldest Catholic churches in Southeast Asia.  Originally named "Our Lady of the Hill", the church was renamed by the Dutch when they took over Malacca and converted it to a Dutch Reform church. It was subsequently abandoned and has fallen into ruins over the years.  Walking around the ruins today, and looking at the tombstones around the sides of the church, the sense of history still remains strong.  Some names on the tombstones are familiar, like Westerhout and de Wind, as their descendents are still living in Malaysia and Singapore today.  Tour groups, student groups, individual tourists/families walk quietly around the site. 

In the middle of the chapel is a wired cage, marking the spot where St Francis Xavier was buried (in 1553). the saint's body was disinterred subsequently and transferred to Goa in India (another Portuguese settlement).  I was amused when a Malay family also made a little donation (maybe the little boy simply wanted the fun of putting coins through the donation slot). 

The colonial heritage  is largely in the buildings, the Peranakan influence surely permeates the culture of Malacca.  Busy Jalan Hang Jebat or Jonker Street (I love the convenience of one-street shopping!) contains shop after shop selling kebaya, pineapple tarts (I much prefer Singapore ones), kasut manek and antiques. 

Behind it,  Jalan Tun Tan Cheng Lock or Heeren Street is lined with the residences of the Peranakan families of over a hundred years ago.  These houses had narrow frontages but go back quite a way, with rooms arranged around 2-3 courtyards.  Today, they are in varied condition - some are part ruined, with the costs of maintenance way above the means of the families living there.  Some have been converted for other use - restaurants, or hotels (like our very nice residence).   It may be a little sad that the place is getting commercialised, but frankly since the other alternative seems to be abandoned/ruined buildings, I'm all for it.  But there is one feature which makes it so much more difficult to walk down the street compared to comparable houses in Singapore and Penang - the walls on the traditional 5-foot way, dividing one house from another.

Compared to my last visit to Malacca, some 5 years ago, it seems to me that the little town is busier than before.  Maybe it's the status of being a UNESCO Heritage site.  But maybe its also the free publicity Malacca got as one of the filming sites for the very well-received "Little Nonya" Mediacorp TV series.  Pictures of "Little Nonya" actresses could be seen in quite a few shops (no photo, I don't waste my bytes on things like this). 

More Malacca photos here.

p.s.  Hope my readers like the new look.  Yeah Blogger Template Designer!

Saturday, February 27, 2010

Clouds receding into the distance

There are some people who find these beading progress reports fascinating, annd there are some who find it just about as interesting as watching paint dry.

The latter will probably be glad that I decided that I'd update only for real substantive progress. Not because I want to placate them but because the time spent uploading and blogging could be better spent beading (thus having something to show in the first place).

I am pleased nonetheless to announce that I've finished the top left corner of my left shoe; that leaves still a lot of canvas to cover but it is for me a mini-milestone. The only problem is that the pattern I'm using is a little smaller than the template. Willl have to figure out which of the two I want to follow....

The process of beading requires a fair amount of concentration.  Not attending at the right time could result in messy unpicking.  Yet, surprisingly, I find it quite absorbing and enthralling.

See progress thus far, aka watching paint dry.

Sunday, February 21, 2010

Announcement!

Just wanted to draw some attention to the new links to pages at the top of this blog (just below the masthead).

p.s. I'm especially proud of my map!

Monday, February 15, 2010

Lilies for a Tiger Year

Some time last year, I reported that I had for the first time bought a kebaya at the Babazaar.  The sarong kebaya is not uncommon amongst the Malay community in Singapore and Malaysia but amongst the Chinese, it is typically worn only by the Nonyas in the Peranakan community.  Indeed, Nonyas would have many kebayas for different occasions, or just for every day.  But, not many young Nonyas do so today and maybe would not even have owned one.

So, I thought I would just put down a few pointers on "what to look for when buying a kebaya". At least, my version of it.  Others may disagree (and probably should, considering this was the first time I bought one!). Anyway, let's start off with:

1.  The material.  Traditional kebaya tops are made out of swiss voile, a semi-transluscent material which means that a camisole has to be worn below to protect modesty.  Kebayas can also be made out of cotton, which is what I chose (check out the price differential!).

2.  The embroidery. The back of the embroidered material should look as neat as the front (reversible clothing!). But of course this is at a premium.  For a cheaper kebaya, you can get one with only "one-sided" embroidery.  Note also that there are "machine-embroidered" kebaya as well, which are cheaper but less thickly embroidered and finished compared to hand-embroidered kebaya.

Look out also for the subject.  For my kebaya, the flowers climbing up the front are also slightly less traditional - lilies, rather than roses or peonies. (The lady who sold it to me told me it was her own design.) Of course, it is double-sided too.

3.  The fastenings.  Kebaya tops are supposed to be held together with kerosang rather than buttons. I admit I used press-studs rather than kerosang.  Of course kerosang is more traditional. But, press studes mean that the flowers are in place every time and it's much faster to put on the top. 

4.  The sarong.  The sarong should match the kebaya top - but doesn't need to be the same colour.  Just so long as it is complementary.  My sarong echoes the kebaya top as it has purple lilies on a black background. 

5.  Cut and fit.  The benefit of getting a tailored kebaya is that you know it fits just right.  My tailor (the lady who sold me the kebaya top) also put in a neat row of "kotok" at the seams, which also reminds me of my granny's clothes.

Hope that this list is useful.  Certainly, wearing a kebaya is an experience which made me feel proud to be a Nonya.  So I admit I can't exactly stride about in  it, especially with my high-heeled beaded shoes.  But I wore the whole ensemble for the first time at the Holy Family Peranakan mass on CNY Eve celebrated by Father Alfred Chan,and then at lunch with my family on the first day of CNY.

[The last time I went to the Peranakan mass was some 3 years ago, when it was the year of the Pig. This year, it's Selamat Taon Baru Harimau to all! It was nice to be at the mass and to see all the kebaya-clad ladies in the choir. And this year, of course, I could surreptitiously compare my kebaya to all the others too :-)  As always, the mass is full of warmth, good humour, a very appropriate CNY sermon reminding us that it is God who provides. ]

Here's to a good year ahead.

edited/updated: 26 Mar 2010

Saturday, February 13, 2010

Clouds on the horizon

I was very busy over this past week so I did not have much time to do any of my beading work.  So, I spent a few hours this weekend working on my shoes.  I am still very slow, but definitely a lot faster than before.

My friend suggested that instead of sewing beads on line by line, I could consider sewing the individual clouds on.  This, she hoped, would result in fewer errors being made.  Didn't quite turn out that way, but indeed, I felt a certain amount of gratification at seeing the pink, rosy clouds take shape quickly beneath my fingers. 



However, due to the design of the clouds, it is resulting in the creation of little corners which are then harder to bead effectively.  So, I may go back to sewing the beads line by line.

I have also been reading the book, "Peranakan Beadwork: My Heritage", by Bebe Seet.  She writes about how she found it difficult to find someone who was willing to teach her to made the beaded shoes.  Finally she found an old lady but after a few months, this old lady passed away.  By then, Bebe had learnt enough to proceed on her own.  I find Rumah Bebe's things a little on the pricey side, but then again, I suppose the knowledge which she took such pains to gain and then to share is priceless.

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